Inside the Shop

Workshop — Paul McEvoy Guitars

A 3d printed ring used for laying out a mosaic rosette.
A 3d printed ring for laying out a mosaic rosette.
Three sets of guitar sides with artist's paper applied.
3 sets of structured sides with artist's paper applied.
Gluing the top on a flamenco guitar.
Gluing the top on a Flamenco Guitar.
A mosaic rosette glued into a guitar top.
A mosaic rosette glued into a top.
Gluing on a guitar back with a glimpse of Japanese paper visible inside.
Gluing on a back with a glimpse of some Japanese paper.
Giuliano Nicoletti's TPC tonewood testing jig on the workbench.
Giuliano Nicoletti's TPC tonewood testing jig.
Walnut and koa guitar backs after joining.
Walnut and Koa backs after joining.
Structured guitar sides ready for assembly.
Structured sides ready for assembly.
A 3d printed wiring harness for an acoustic guitar.
A 3d printed wiring harness for an acoustic guitar.
A Selmer style guitar with carbon fiber bracing reinforcement.
A Selmer style guitar with carbon fiber bracing reinforcement.
Three guitars finished and ready to be played.
3 guitars finished and ready to be played.
Two CNC cut workboards for Selmer guitars.
Two CNC cut workboards for Selmer guitars.
Vacuum gluing a soundhole reinforcement ring.
Vacuum gluing a soundhole reinforcement ring.
Vacuum gluing bracing.
Vacuum gluing bracing.
Vacuum gluing structured sides.
Vacuum gluing structured sides.
A 3d printed rosette former for a Selmer style guitar.
A 3d printed Rosette former for a Selmer style guitar.
Bracing a Selmer style guitar with a carbon fiber bridge plate.
Bracing a Selmer style guitar with a carbon fiber bridge plate.
A floating violin style tailpiece for a Selmer style guitar.
A floating violin style tailpiece for a Selmer style guitar.
A 3d printed volume and tone control for an acoustic guitar.
A 3d printed volume and tone control for an acoustic guitar.
Testing tonewood with the TPC system.
Testing tonewood with the TPC system.